![]() Oboler was impressed enough to option it for his next film project. Milton Gunzburg turned his focus to independent producers and demonstrated Natural Vision to Arch Oboler, producer and writer of the popular Lights Out radio show. Only John Arnold, who headed the Metro-Goldwyn-Mayer camera department, was impressed enough to convince MGM to take an option on it, but they quickly let the option lapse. Both Columbia and Paramount passed it up. 20th Century Fox was focusing on the introduction of CinemaScope and had no interest in another new process. Cinerama had premiered on Septemat the Broadway Theater in New York and was a success there, but its bulky and expensive three-projector system and huge curved screen were impractical, if not impossible, to duplicate in any but the largest theaters.įormer screenwriter Milton Gunzburg and his brother Julian thought they had a solution with their Natural Vision 3-D film process. Television was seen as the culprit and Hollywood was looking for a way to lure audiences back. Natural Visionīy 1951 film attendance had fallen dramatically from 90 million in 1948 to 46 million. The story was also the basis for the film The Ghost and the Darkness (1996) with Michael Douglas and Val Kilmer. Patterson, the British engineer who killed the animals. ![]() These incidents were also the basis for the book The Man-eaters of Tsavo (1907), the story of the events as written by Lt. The plot was based on a well-known historical event, that of the Tsavo maneaters, in which many workers building the Uganda Railway were killed by lions. Jack kills the lions and proves he is not a weakling. A grim battle between Jack and the lions endangers both Jack and his wife. After the game hunters are killed by the lions, Jack sets out once and for all to kill them. Hayward desperately attempts to overcome the situation, but the slaughter continues.īritain sends three big-game hunters to kill the lions. A pair of man-eating lions are on the loose and completely disrupt the undertaking. Two men in charge of the mission are Jack Hayward and Dr. Thousands of workers are building the Uganda Railway, Africa's first railroad, and intense heat and sickness make it a formidable task. The publicity department promoted it using the slogan “A Lion in Your Lap!”.The film is set in British East Africa in the early 20th century. He eventually kills them, but not before blood has been spilled.Įverything about it is inept but for its 3-D. He must put up with the natives’ belief that the lions are supernatural devils. It should be noted that screenwriter Robert Clampett directed the Time for Beany sequence.Īt the turn of last century two man-eating lions (called bwanas by the natives) threaten the railroad in East Kenya, Africa, as they kill the workers and put a halt to building the railroad line.The railroad sends in the English engineer, Jock Howard (Robert Stack) to kill the beasts. ![]() Bwana Devil was the first American feature film that used Polaroid’s dual-projector 3D system (using polaroid lenses when viewing). It will be remembered as the first full-length film in 3-D, otherwise deserves to be forgotten. Mediocre American filmmaker Arch Oboler (“The Bubble”/” The Twonky”) struck box office gold with this novelty 3-D adventure story despite putting out there such a stinker of a story. “ It will be remembered as the first full-length film in 3-D, otherwise deserves to be forgotten.” Angus McLean), Ramsay Hill (Major Parkhurst), Paul McVey (Commissioner), John Dodsworth (Sir William Drayton), Pat O’Moore (Allinger), Hope Miller (Portuguese girl) Runtime: 79 MPAA Rating: NR producers: Robert Clampett/Arch Oboler Gulu Productions/United Artists 1952-in 3D) Biroc editor: John Hoffman music: Gordon Jenkins cast: Robert Stack (Bob Hayward), Barbara Britton (Alice Hayward), Nigel Bruce (Dr. (director/writer: Arch Oboler screenwriter: Robert Clampett cinematographer: Joseph F.
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